The decision was largely based on the fact that even if I'd gotten ARC I would still have to invest in additional bass trap materials. It's a matter of addressing first things first. ![]() It's not that ARC is out of the question, and it's not a matter of money "so much". I'd like to keep you posted on my progress and will most certainly want some feedback, not sure if this is the best forum to post in however. ![]() A few years ago it was everywhere but construction methods have changed where I live (Canada) so I may have to do some type of special order which will up the price no doubt. My biggest challenge presently is finding the type of insulation that is commonly called for in these projects. I have my own shop and am fairly handy so many of the baffles and traps will be built to fit. which makes any type of drop ceiling unpractical to impossible. The approximate dimensions will be 23 x 11 one way and 23 x 9 the other. Once some of the walls are down in my recording area my room dimensions will change quite dramatically, leaving me with a fairly large L-shaped space which should present some interesting challenges. but I'm a ways away from doing some serious shooting. I was able to borrow an RTA from my brother who sells and installs home theatres etc. I was not aware of Fuzzmeasure and it looks to be very interesting. I've been aware of Ethan's website for quite a while and Gearslutz has part of their forum dedicated to acoustical treatment also. My focus will be on acoustics and some of the links are most helpful. I have 2 weeks of tracking left and plan a complete retrofit of my studio prior to mixing (maybe I'm insane). I've been following this thread with a lot of interest. And looking at the ARC system as just an analysis device only, it seems WAY overpriced compared to the competition. I feel a lot more comfortable now not having an EQ essentially at the end of my sound chain. Then I spent the time to treat the room, move speakers, move surfaces and move the sub around till I got flat response and the result was absolutely amazing in comparison.Īnd I did all this with the beringer instrument mic which has a very flat response. The first route I took was parametric equalization with zero phase manipulation filters. But I don't want a band-aid for my studio. If I were doing portable stuff, sure, the ARC system would be a really good investment. The advice he gave was very consistent with other advice I've gotten since then on room treatment. When I've had trouble understanding the results long ago, he was very helpful. I've talked with the writer of the software on many occasions and feel very confident with both his technical capabilities and the absolute power of his software. While ARC sounds interesting to me, Fuzzmeasure has been around for quite a few years and the user group is QUITE large. Once I've taken things as far as I can go, I may need to reconsider ARC, but I'm already aware that some of these acoustical battles will never be won until I'm in a position to build a room from the ground up. ![]() I'm about to embark on FuzzMeasure as well, and am sorting out a way to temporarily mount absorptive materials so that their placements can be moved to optimum positions as continuing measurements are taken before doing any semi-permanent installations. (I may have come up with something that is visually more appealing than having to stare at a room choked with unsightly acoustical foam all over the place!) I also came home with a trunk full of bass trap materials and will reconsider, redesign, and reconfigure low-freq treatments over the next two weeks or so. The search started with the Behringer EM8000 ($49) but it ended with the Samson MM01 ($99). So, today I went looking for an affordable measurement mic. For the same money there were other things I could do that come more highly recommended. Well, I decided to pass on ARC for the moment- but just for the moment. Frodo wrote:A hobbit's acoustical update.
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